So…you want to order some branded promotional material but you aren’t quite sure of how the artwork works and what branding methods are available.
Why not have a look at the information in this artwork and branding guide – this should help you a lot. If still need further clarification, don’t hesitate to give us a call.
(click on a tab to view info)
Vector artwork is made up of paths and is in an open, editable format. Working with vectors allows us to manipulate the artwork, as required, for branding purposes i.e. we can change colours, stretch or scale the artwork infinitely and make changes as requested. Without vectors we would be unable to make these changes.
Certain branding processes like Pad Printing, Screen Printing, Debossing and Laser Engraving, require vector artwork and we cannot brand without it.
Vector artwork can be created in a number of different applications. Below are a few of the applications which can create vector artwork. Please note: placing non-vector artwork, for example a jpeg or other image file, into one of these applications does not make it a vector and we won’t be able to use it.
Adobe Illustrator (.ai)
Non-vector (raster) artwork is made up of pixels, each a different color and arranged to display an image. Pixels do not retain their appearance as size increases. For this reason, when you enlarge a photograph or image it becomes blurry.
Non-vector artwork cannot be manipulated or changed in any way, essentially it is locked. Most non-vector images are jpeg’s although many different formats are available.
With this type of artwork, we can only change the size of the entire artwork (to a certain degree) but cannot change specific elements within the artwork. For example, if we are supplied with the artwork below and asked to change the colour of the green button, we would not be able to do so.
Jpeg’s can be used for all Digital Branding and Embroidery although it must be a high resolution jpeg. If any changes need to be made to the artwork before branding commences, a vector version of the artwork will be requested. Alternatively, we will need new, amended artwork to be supplied.
The below are examples of non-vector file formats:
Microsoft Word (.docx)
Adobe Photoshop (.psd)
Microsoft Powerpoint (.ppt)
A PDF is one of the most common file formats that you will have access to.
PDF’s are read only document that are great for viewing files that you don’t have programmes for. PDF’s can be viewed, printed and electronically transmitted.
Both vector and non-vector artwork can be saved in a PDF document. To check which type of artwork is saved, do the following:
- Open the PDF, move your cursor over the artwork then click on the actual artwork. If a blue block appears, as per the illustration below, it is non-vector artwork.
- Zoom into the artwork or image. If it pixilates, then it’s non-vector.
Quick Traced Artwork
We cannot redraw quick traced artwork as the result will not be acceptable for branding and it will not look like the original artwork.
Converting to Curves or Paths
When something is designed and there is text in the logo, a font is used to create the look of the text (cursive, bold, italics, stencil letters etc.).If the design is sent to another computer which doesn’t have the same font installed; the text will automatically display using Arial as the default font. We then cannot use the artwork as the text will not be displaying correctly. If this is the case, only a computer with the necessary font installed can convert the text to curves. This means that the text is changed from a font to a drawing so that when the artwork is dropped into Corel Draw, it reads the artwork as a drawing and not text.
Alternatively, you can send us the font files and we will install the fonts to avoid any issues like this.
As there are thousands of fonts and new fonts are created every day, we will not have every single font. It is very easy to convert text to curves. All that is required is for someone to open the artwork in the original design programme on a computer with the font installed, select the text and then select ‘Convert to curves’ from the text menu.
See the example below:
Not all non-vector artwork can be redrawn. Images such as photographs of people, places or things cannot be traced, as per the example shown.
This is artwork that we can manipulate and separate into individual elements for branding. This artwork is also the highest quality and is in the original design format. Vector artwork is created using vector illustration software programmes such as Adobe Illustrator or Corel Draw. These programmes use points, lines and shapes to create artwork that can be scaled infinitely without any loss of quality. Vector artwork is editable and the artwork can be changed according to your specifications.
There are a few formats that will be acceptable, namely:
• Adobe Illustrator (.ai)
• Corel Draw (.cdr)
• Freehand (.fh)
Please note: vector and non-vector artwork, or a combination of the two, can be stored in any of the above formats. In order to check if artwork is vector, zoom into the image. If you see pixelated edges, as illustrated below, it means the artwork is non-vector (vector artwork will remain crisp and clear no matter how much you zoom into the image). Alternatively, click on the artwork and if a blue block appears around it, as illustrated below right, it means that the artwork is non-vector and the elements cannot be separated.
There is a tool in Corel Draw that allows you to automatically convert a non-vector logo into vector. This tool does not always work well, the reason is because it simply traces the edges of the artwork and where colours start and end. The result is a vector image but it will be broken and the edges will not be smooth. For this reason Sticky Sales and Marketing does not use quick traced artwork because it compromises the quality of the branding.
When artwork contains wording in a certain font and the font is not converted to curves or paths it remains in a text format. This means that when the artwork is imported into a design programme the programme reads it as text that can be edited. If we do not have the font that the wording was created in, the design programme will automatically convert it to a font that we do have, compromising the original artwork. Converting to curves or paths results in the design programme reading the font as a drawing instead of text and, as such, the programme does not require the font.
Alternatively you can send us the font file to install. We cannot redraw the artwork if it is not converted to curves because as soon as we put the artwork into a design programme to start redrawing it will substitute the font with a different font.
If you send us non-vector artwork for a process that requires vector artwork, our redraw artists will have to re-create the artwork in vector. In order for the artist to do this s/he needs to import the non-vector into Corel Draw and trace the artwork.
Not all images can be redrawn, if there is any shading or gradients in the artwork it is impossible to achieve. We are also unable to redraw photographs.
This is a time consuming process, which requires a lot of attention so that there are no errors in the redrawn artwork. If the artwork is simple and will take an artist less than 10 minutes to redraw, we redraw the artwork at no charge. If the logo is more complicated, it will be charged for. Please remember that the lead time for redrawing artwork is 24 hours as the demand is quite high.
is a time consuming process, which requires a lot of attention so that there are no errors in the redrawn artwork. If the artwork is simple and will take an artist less than 10 minutes to redraw, we redraw the artwork at no charge. If the logo is more complicated, it will be charged for. Please remember that the lead time for redrawing artwork is 24 hours as the demand is quite high.
What types of artwork are required for the different branding processes?
Vector artwork is required for the below processes:
• Screen Printing (spot colours)
• Pad Printing
• Laser Engraving
Non-vector artwork can be used for the below (please note that it must be high quality):
• Screen Printing (CMYK process only)
• Dome Stickers
• Heat Press
• Digital Transfer Printing
• Direct to Product Printing
Please remember: vector artwork can be used for all of our branding processes. When using non-vector artwork and a change to the artwork is requested, it cannot be actioned and vector artwork will need to be supplied.
Screen printing: the print preparation requires that the artwork be separated into its individual colours. Each element or set of elements that is a different colour gets printed on a different screen, e.g. a 2-colour logo requires 2 different screens.
Embroidery: artwork is digitized as a whole and the colours are specified when digitizing. As the logo does not have to be separated into various elements, we do not have to have vector artwork unless changes need to be made to the artwork.
This is a method employed in Screen Printing to print a full-colour image that has shading and gradients. This is perfect for printing photographs and detailed images.
This process uses 4 colours, namely: cyan, magenta, yellow and black. It works similarly to digital printing in that it uses a combination of the 4 colours mentioned to print almost every available colour. Like a digital printer, white and metallic cannot be created from these 4 colours and if there is white in the artwork, that must be printed first. The screens for this process are made such a way that they allow a certain percentage of each ink colour to flow through individual screens.
When branding via CMYK on a white item we charge for a 4-colour print, however if we are branding CMYK on a coloured item we will need to charge for a 5-colour print because we need to print white as a base owing to CMYK inks being semi-transparent.
If a client supplies a CMYK colour breakdown, but requires that it match a Pantone colour this is not always possible as there are a limited number of Pantone colours that exist, but innumerable CMYK colours. We try to match the colours as closely as possible.
The times will vary from layout to layout dependent on the complexity of the layout or the quality of the artwork that has been provided.
A general rule is that it will take 24 hours from receipt of order and 50% deposit.
With certain branding processes we can make the text smaller depending on the font and the texture of the item.
A basic guideline below:
• Screen Printing 2mm high
• Pad Printing 1mm high
• Debossing/Foiling 4mm high
• Embroidery 5mm high
• Laser Engraving 1mm high
• Sublimation 1mm high
• Heat Press 1mm high
• Stickers/Domed Stickers 1mm high
• Digital Transfer Printing 1mm high
• Direct to Product Printing 0.5mm high
In cases where the text is smaller than given in the above guidelines or the text may close up due to the font used or the texture of the product it is being branded on, we advise leaving off the text.
If the item is lined, e.g. a cooler bag, it is difficult to screen print more than one colour. In screen printing we have to apply a light glue spray to the board that the item is loaded on so as to prevent movement of the item during printing. This ensures that the branding position is consistent and that, when branding more than one colour, the registration of the logo is correct. In cases where an item has a lining, only the bottom layer of the lining adheres to the board leaving the top layer loose; as a result we cannot ensure that all of the colours in the logo will register (line up) correctly and consequently restrict the number of colours we brand on certain item.
The number of print colours may be also be restricted due to the type of material the item is made of. When we brand a multi-colour logo the print must be dried after each individual colour is laid down. Some items cannot withstand long periods of heat so we cannot dry each individual colour when branding and we have to restrict the number of print colours.
This is a term that is used in printing that refers to laying down all the colours of the artwork in the correct places. If the registration is off the colours next to each other will either overlap or be too far apart and spaces will be evident.
• Always check what warnings are on the layouts before you approve it as if it states information like – texture of product will effect print/ small text may not be legible etc and the branding turns out to be as per the layout with the warning we won’t accept that job as a reject job.
• Check the colours stated that we will brand and always try give us a Pantone colour, a colour branded may be one shade out from what is mentioned as the colours are mixed.
• If you have a marathon colour please supply this as there are a fraction of marathon colours compared to Pantone colours so matching a thread colour to Pantone colour will never be exact and is often left up to discretion of what we think will work best but your client may have something else in mind.
Panels on garments are inconsistent and one item will not be exactly the same as the next. Because of this, if we brand according to the stripe detail or the panel, the logos will not come out on the left chest branding position resulting in incorrect positioning when the shirt is worn.
Make a statement that can’t be ignored with full-colour, digitally branded Belly Bands. A superb way to ensure enhanced visibility for your brand, they are perfect for adding a finishing touch to notebooks.
- An additional platform to communicate your marketing message in a unique and high-impact manner
- Offers prime space for optimising brand information and strengthening your message on notebooks
CO2 Laser Engraving
A logo is burned into a product with a CO2 laser by removing the top layer of the item to expose the second layer.
- Replicate original logos with great accuracy and in minute detail.
- Permanent and classy way to brand certain organic materials like glass, leather and wood
A die in the shape of a logo is pressed into the surface of a product using both heat and pressure, creating a permanent stamped impression in the product.
- Creates a unique 3D look
- Subtle and classy branding method
- Ideal for genuine and imitation leather products, as well as PU
Direct To Product Printing
Direct to Product Printing provides for the application of full-colour logos directly onto the product. By using specifically engineered jigs, a specialised digital printing head transfers UV-cured ink onto flat or slightly curved surfaces with photo-print quality and bold, vivid colours.
- Provides a way to print permanent, full-colour logos
- High impact branding method that creates a lasting impression
- Can be applied on many shapes and sizes
Digital Printing On Bags
A full-colour digital image is printed onto a special transfer paper. This paper is then coated with a unique powdered glue which is cured onto the ink with UV rays. Thereafter it is placed onto the product which is inserted into a heat press and the heat from the press allows the print to be transferred directly onto the fabric.
- Perfect for complex logos with multiple colours, shading and gradients, small text and intricate detail as ink is not absorbed by the material, resulting in sharper artwork with excellent clarity
- A high-impact branding method with a bold and vibrant
photo-realistic result that brings your brand to life
Digital Printing On Notebooks
Employing the latest customised UV technology we are able to digitally print full-colour, high-definition digital images directly onto notebooks.
- Ideal for intricate logos with multiple colours, shading, gradients and small text
- A high-impact branding method producing excellent clarity and photo-realistic result
Digital Printing on Drinkware
This new UV printing process provides for the application of a full-colour digital wrap print directly onto drinkware.
- Great for printing artwork with vivid colours, multiple tones and gradients
- Ideal for replicating logos with fine detail and small text
- A photo-realistic branding method that allows your logo or marketing message to make an impact
Digital Transfer Printing
Digital Transfer Printing is the most advanced branding solution available on the market today. This is a simpler and more cost-effective printing solution that offers high resolution, photo realistic results.
- Achieves sharper detail and clarity – ideal for logos with small text
- Prints gradients – delivering results with a new sense of depth
- Gives you access to the full spectrum of colours
- Delivers pixel sharp, photographic quality
Embroidery is the art of decorating fabric with designs stitched in strands of thread. Driven by computers that read digitized embroidery files, embroidery machines automatically create a design on the product in the form of the logo that was input into the machine.
- Classic decoration technique
- Creates a high value look
- Allows single and multi-colour branding
- Logos can be embroidered in up to 9 different thread colours
Foil Hot Stamping
Hot Stamping with foil is a similar process to debossing except that a thin foil is pressed into the product to create a colour. Even though heat and pressure are applied, they are applied in lesser volume than during debossing and therefore the impression is not as deep.
- Creates an exceptional superior impression
- Ideal for genuine and imitation leather products as well as PU
- Foils are available in black, blue, gold, green, light blue, orange, red, rose gold, rose pattern, silver and white ( Pantone matches are not possible )
Using a state-of-the-art laser, the dye from the material surface is removed from a garment by way of a laser etching technique, creating a modern tone-on-tone look which cannot be replicated by any other process. This process creates highly detailed images/logos across zippers and over buttons and seams without damaging the garment or compromising the integrity of waterproof material.
Pad Printing is an offset printing process that involves ink being transferred from an engraved metal plate onto a product via a silicone pad, creating an image on the product. Each colour is applied separately but the detail in the print can still be excellent.
- Great all-round solution that’s fast and economical
- Can be applied on virtually any shape
- Suitable for most surface textures
- Favoured for small plastic items like pens, keyholders and torches
- Allows single and multi-colour branding ( up to 4 colours )
Screen Printing is the process whereby a logo is exposed onto a mesh screen, with the blank areas coated with an impermeable substance. Ink is then placed onto the screen and a squeegee pushes the ink through the screen in the areas where the logo has been imposed. Colours are printed one at a time so accurate registration is essential.
- Cost-effective solution for larger quantities
- Provides excellent coverage and is especially good for large and bold logos
- Ideal for bags and t-shirts but can also be used for umbrellas, coolers and smaller items like notebooks and folders
- Allows single and multi-colour branding ( up to 6 colours )
Sublimation Printing is a process done by way of a digital full-colour printer which is fitted with special sublimation inks. The logo is printed onto a special transfer paper and cut automatically to the correct shape. The logo is then placed onto the product and heat is applied, causing the inks to migrate from the paper onto the product.
- Ensures premium full-colour photorealistic prints
- Flexibility characteristics of the product are not affected since the ink simply migrates to the product
- Only suitable for white products made from polyester fabric
( minimum 60% ) and polymer coated products
Stickers are digitally printed in full-colour on an adhesive vinyl and then automatically cut to almost any shape.
- Cost-effective, low or high-volume, multi-colour branding method
- Strong resistance to fading or damage
- Can only be applied to flat or slightly curved surfaces
There is no minimum order quantity but setup charges associated with each branding process still apply. When the setup charge is amortised over smaller quantities, the cost per unit is higher ie. branding 50 units versus 10 units always works out cheaper per unit.
The cost of branding is not a set price. This is worked out depending on the quantity of items being branded, how many colours are in the branding and what branding technique is needed to brand that particular item. In some cases, the size of the branding will also affect the price.
A setup fee is charged on all branded orders, be it for 1 unit or 1000 units. On Smaller quantities, this set up fee will have a greater impact on the unit price, rather than on larger orders. So the more you order, the more you save.
Yes, as the set up fee charged is for the preparation of the screens, pads, etching plates and so on as well as the chemicals used. It also covers the cost of the calibration of the machines required to complete the branding of your products, which needs to be set each time, and on each item.
A setup fee is the cost of gathering, collecting and organising the materials required to brand your items. It’s the preparation of the screens, pads, etching plates and so on as well as the chemicals used. It also covers the cost of the calibration of the machines required to complete the branding of your products.
The artwork design fee we charge is the cost of redrawing your logo into Vector format. It is the time required by our designers to get your logo into a workable format.
Yes you can, please note that we cannot be held liable for any damages should you choose to do this.
Branded samples can be arranged, these will need to be paid for in full, and cannot be returned for a credit or refund.